In vocal music, musicians have the great opportunity to tell real, tangible narratives. The use of lyrics imparts a responsibility on the singer to channel a specific meaning, or tell a specific story, to their audience.
In Exultate, we have formed our entire season around this concept of telling narratives: our four concerts organize themselves around different narrative themes, such as “Stories of Remembrance”, “Stories of Love and Longing”, and others. Our first concert, on October 23rd, examines narratives centred on war, tragedy, and commemoration. Particularly unique in our first program is the Holocaust Cantata by Donald McCullough, which includes horrifying prisoner accounts of the concentration camp Buchenwald, and poems written by its inmates. Both read in plain speech and set to music (many of the melodies used are authentic Polish military melodies), these writings have jarred us, owing to their unflinching representation of the awful realities of the Holocaust, spoken aloud in glaring honesty.
When we each can recognize, both as members of the chorus and of the audience, that we have each have different – valuable – narratives to share with one another, and that we each have different experiences that have shaped us, then we are able approach this program more deeply. Thoughtful reflection on our own lives and the lives of others through music only brings us closer together, as audience and musicians. We can’t wait to share more with you as our season progresses.
By Choir member Sadie Menicanin